Monday, December 7, 2009

vintage miami beach

everything old was new again in miami beach this year. locals dress circa 1981 whilst snacking on export sodas with guava paste and cream cheese (yum!), tried and true artworks predominated (like warhols) at art basel miami beach, nada set up shop at the deauville beach resort and the vintage stores were overflowing with good quality, well priced items. head over to 650 lincoln road to enjoy the calm and curated fly boutique ; i had gone first to the stuffed to the gills recycled blues around the corner at 1507 washington avenue and became a little overwhelmed by all the coats (abandoned shearlings and furs abound), tee shirts, jeans--a lot of everything really. if you're patient you can get some great stuff (everything was 50% off), my "ny state of mind" needed lunch first. grab a delicious and authentic buckwheat crepe at a la folie tucked away on the nearby and very charming 516 espanola way that's right off washington avenue. there are a lot of cute boutiques and restaurants on espanola and washington; a couple of blocks away is lincoln road that's a bit fancier (there's even the parisian patisserie paul on lincoln along with boutiques with selections that would play well in the "expensive" part of barneys).

i had a tooled leather bag on my to-do list so i was excited to find one in black (i live in ny for goodness sake!) at fly as well as an awesome 70's metal belt (both in the picture) that i'm sure will look great on a black dress... the owner and salesclerks at fly are very accommodating and are happy to pull jewelry, belts, rings, bags and other accessories for you to try. the clothes range from last season gucci to more vintage selections; there are also comfy chairs if you (or your shopping companion) need a break. they also were flexible on prices for items that had been in the shop for a bit.

next time, "what's mexican silver?" and a bit about the markings on silver jewelry.

peace out, flatsie
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Saturday, December 5, 2009

wiseman's la danse

i love paris and ballet so i couldnt wait to see the new documentary by frederick wiseman, la danse: paris opera ballet. i was lucky enough to attend the almost 3 hour film with my client, also a documentary filmmaker, who just finishing a film project about a hungarian choreographer. (i'll see a sneak peek of her project next week--cant wait!) this film had its moments and glimpses, but was such a string of missed opportunities. why clip conversational sidebars between former dancers (i guess) comparing notes whist coaxing today's performers to more nuanced work; who are these folks? you also get peeks into the business side (and the fascinating woman at the helm) and backstage areas of the institution. you also hear the middle of a conversation (important to the arts especially these days) about american and other financial vip supporters; how does it start or end? even if he couldnt tell all the stories, i wish he had told one in full. why not connect a narrative via the artists, supporters, and/or business operations of the company? it felt like i was watching a trailer for at least 5 films that might be great. i felt sad that for folks who dont know or care yet, this film doesnt help and doesnt show why this company and these people/artists are even worth learning about. im not saying the film had a duty to promote ballet or this company, it's not a pr piece. i had expected a story about identifiable characters that we relate to or not, or possible to learn something specific about all the process of producing this technically grueling, exquisitely delicate and ephemeral art. when it didnt, i felt disappointed. in new york, the film forum showings of the film were sold out and filled with insiders and balletomanes who waxed on about how great the film was. maybe it was for them. but what about the rest of us? by failing to tell who's on the screen, giving context to the comments being made or finishing one of the many stories passing by the lens, i wasnt sure who the intended audience for the film is and what point of telling the story was in the first place. dont go to the film, go to (your local) ballet instead.

peace out, flatsie
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Monday, September 7, 2009

le keyboard français

my last post found me a victim of a french keyboard. a world where a's are q's and there's no discernable delete. i just spent the past few days in paris, my fqvorite city. so many fun things, but if youve been it's really just the wandering qnd sitting that's the most enjoyable. the french, hip to my blague du blog, fill my head with questions: why is everything so delicious here? tiny lamb chops, strawberries, baguette (all 12 kinds: ecureille with hazel nuts and currents, raisin, whole wheat and traditionelle). why dont we have 50 different kinds of butter to choose from like the awesome display at the food market at galleries lafayette? go to the department store, bon marche, to pick up a picnic to enjoy in les jardins de luxembourg. why doesnt anyone think the french are rude? ive had end to end friendliness and good cheer (plus any pouting and frowning which leads me in US to be admonished to smile, here just results in being mistaken for sexy and parisian). last time i went to the porte de clingencourt for the antique market, this time i hit the porte de vanves which is much more my style--outdoors (year round) and pretty relaxed. it's not inexpensive, but you'll see some things you wont see stateside, like venders eating baguette and saucissons for breakfast, housewares that bespeak the culture: white table linens, duck presses and logoed ashtrays and barware. almost the only time i went inside was to see wonderful exhibitions at the musée des arts decoratives which includes fashion in a broad sense and la mode. the work of madeleine vionnet (beautiful, simple dresses from the 1920's and 30's; she was also a pioneer against trademark and copyright infringement so i relate to her in that way too) and an exhibition about the color red--its political, sexual, psychological and other connotations as played out in advertising, clothing, accessories and housewares. the fall/winter clothes and shoes are gorgeous, btw, and discovered a new designer paule ke. anyway, time to head home.

peace out, flqtsie
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paris pour moi me <<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<


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Saturday, August 29, 2009

je me souviens

so excited! im going to paris this week and have a mile long list of flea markets to explore and some fashion exhibitions to see. but, of course just being in paris is the funnest. to prepare, i saw two movies in which paris is a major character: julie & julia and the new anna wintour documentary, the september issue . the reviews of the documentary which somewhat malign the filmmaker for the portrayal of anna w may not be entirely fair to him (would she have let him see anything else and who of us would?), but it did feel more like an ad/pr piece than showing anything you didnt know about ms w. you get a better 360 sense of Grace Coddington and the photo shoots are beautiful to watch in production. viewers note: snack-buy at your own risk. all the models and talk about "looking pregnant" and folks needing to go to the gym will scare off only the most body confident from enjoying their popcorn. for more of a film about fashion that's a very personal story, see lagerfeld confidential about karl l; you really get a sense of his philosophy and work. plus, the opening scene of the film completely justifies my recent silver ring and bracelet acquisitions--he must have 200 plus spread across his dresser. My latest ring (a giant silver signet), by the way, come from the atelier of the awesome gregg wolf. and when you go to his studio of east 9th street it's always chock full of other interesting artists. the julie and julia movie is a love letter to julia child with a side story about the blogger, julie powell, who cooked her way through jc's first cookbook, mastering the art of french cooking. jp doesnt seem very interesting (i felt her blog/book was dull too), but who is compared to jc? the oddest representation is of amanda hesser i thought, she seemed very priggish, yet her first book is charming. paris looks gorgeous in all three movies and nyc comes off very well in the september issue.

q de blog: why can you eat endless mounds butter and sugar in paris and come home thinner?

peace out, flatsie
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Monday, August 3, 2009

dc escape

looking for a quick getaway? try the lorien hotel & spa in alexandria, virginia. it's a beautiful 4-5 star escape that you can often book for 150 a night (with breakfast); sometimes you can find it for 110. in the morning, you can read the paper in the living room with coffee and tea; i like to do that en route to the gorgeous gym with everything you could want, including a peaceful room for yoga (dvd's included). they also have a cheese, and wine shop (isnt that the point of going to the gym?) that's perfect to pick up picnic supplies to enjoy in the park on the alexandria waterfront. the hotel is also close to the metro for jaunts into dc (almost all the museums are free and you can catch a ride to amtrak or the airport), but my favorite way to enjoy it is to pop down for an overnight on a saturday morning with a mind to hit my favorite indoor enormous antique and flea market in chantilly, virginia that happens every third month or so. the flea market is run by d'amore promotions and is filled with friendly, vendors from the east coast who are happy to make a deal. fun finds include scandanavian silver jewelry from the 70's; a vendor with stacks of vintage louis vuitton trucks, bags and suitcases; and a booth filled with hundreds of metal chocolate molds--very martha stewart.

if you have time on saturday, enjoy strolling in old town alexandria. i loved (and got some vintage rosenthal china) at chinoiserie, random harvest is always fun (for vintage furniture), red barn mercantile (almost bought a huge homage a duchamp metal wine rack there, but couldn't figure out where in nyc apt to put it so even my object lust has limits, apparently!) and misha's is an awesome coffeehouse with giant slices of cake and delicious coffee. if you can, catch a movie at the old town theater, so un-multiplex . for a delicious dinner, try vermillion (roasted olives and the mixed tomatoes with burrata are especially delicious) or eve (try the very flavourful bouillabaisse and eat at the bar if it's full).

next stop, baltimore big flea, october 24-25 another d'amore promotions show that the vendors in dc swear by for shopping (bargains good enough for resale even); that one includes vendors from europe and take two days to go through, they say. i'm hoping to go to obrychi's or another crab shack (no such thing in nyc and i miss the hours of salty, spicy fun with flying crab shells, beer and conversation).

query de blog: did i invent the terms blogalicious and blogalarious (not as regards this blog, btw, but think i invented those reading another blog)?

peace out, flatsie
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Saturday, June 13, 2009

time value of time

what's on your mind? what's really important to you? what makes you happy or feel sad? what's worth your time? i love a liet motif, a theme, an organizing principle so i'd been thinking about the frame (and if there were one) around my seemingly nonsequitur interests in food, art & architecture, traveling, work/business management, self-improvement and "success," shopping and fashion, and flea and antique markets.


to figure it all out, i'm reading a mix of books, journals and magazines. periodical-wise: the harvard business journal (for theory); inc. (for business management practice); the nonprofit quarterly (one of my trade's rags); vogue, elle and w (now as skinny as the models who appear therein--fewer ads!); martha stewart living and bon appetit (homage to cocktail serving, apron-wearing, housewives of another era); and best life and men's health (great for fitness and tips for the men in your life).


in books: the nine by jeffrey toobin about the supreme court gives you a sense the justices are and how they change intellectually during their tenures. the section on the bush/gore post-election issues sets out that game and the legal issues related to gitmo are clearly set forth. i was a little disappointed that it seemed thin on scalia (maybe his clerks wouldn't talk?). i didn't get a real sense of the man, but maybe i just wanted more on him because he's so smart and, like many lawyers, find his confidence in, and principled application of, his worldview refreshing and a relief from much of the pc equivocating that passes for reasoned thinking among jurists and politicians even if you don't agree with him. o'conner's role gets a lot of play (fitting under toobin's theory that she controlled the outcome of important cases during many years of her tenure) and thomas gets the most generous write-up i've ever seen. incidentally, if you live in dc or are in the area when supreme Court is in session, you really should go down to see an oral argument, it's surprisingly intimate, awesome and free!


another book really resonated with me, shop class as soulcraft: an inquiry into the value of work by michael crawford. to dip into the subject, check out the 2006 essay that grew into the book. the more philosophical and historical aspects of the book, talking about changes in the labour market, the intrinsic satisfactions in certain types of work (here work that relates to material objects) and what do and can we expect from our work were more interesting to me than where many reviewers put their focus. i didn't read it as a paean to manual labor and i certainly didn't see, as one reviewer proposed, that it was sexist and that it left women out for some bad reason. ideas that make you think include an exploration of the connections (mystic and sentimental) we feel with material objects (hey, who hasn't fallen in love with a cartier, a bmw, a super-sharp #2 pencil or a frosty coke bottle?) and the need to feel our work is connected to something real--whether it's a material object or an idea or ideal that has meaning for us at some deeper level. another cool thought by alexandre kojève: "the man who works recognizes his own product in the world that has actually been transformed by his work: he recognizes himself in it, he sees in it his own human reality, in it he discovers and reveals to others the objective reality of his humanity, of the originally abstract and purely subjective idea he has of himself. the satisfactions of manifesting oneself concretely in the world through manual competence have been known to make a man quiet and easy. they seem to relieve him of the felt need to offer chattering interpretations of himself to vindicate his worth. he can simply point: the building stands, the car now runs, the lights are on. boasting is what a boy does, who has no real effect in the world." (sounds like howard roark, no?)

my next read is by the philosopher, alain de botton. options are a novel about love or his new book, the pleasures and sorrows of work. i've decided i love him because he writes about what i think is the only stuff that counts: travel, love, architecture, shopping, and work. he also founded a school in london that has weekend courses on the areas identified as the five big issues in life: love, politics, work, family and play.

odds and ends. for a laugh, make a jello fish bowl with vodka. ok, the vodka was my twist, a la jello shots. this is a really easy, fun and funny project. in red (swedish fish are the best), white (tic tacs for bottom of the bowl gravel) and blue ("berry" flavoured jello), it's july 4 picnic fun (not for kids of course!).

query de blog: anyone up for an october weekend in london for a class about work at the school of life?

peace out, flatsie



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